There are photographers that make this combination work well, though. On a full frame camera, 35mm is incredibly versatile. If you’ve got the bucks, the Sony 16-35mm f/2.8, 24-70mm f/2.8 and 70-200mm f/2.8 a.k.a. Highly recommended! In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. If you are looking for a wide angle camera lens for Sony cameras and camcorders, there is an extensive collection compatible with such models available from leading optical brands including Sigma, Samyang and Zeiss amongst others, with apertures from f/1.2 to f/5.6.. A lens is considered to be wide angle when its focal length is less than around 350mm. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Be among the first to get the latest Sony FE 24mm f/1.4 GM. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? In this summary we also included some adapted lenses we think are worth mentioning. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. However, it’s still not quite as good as the Sony GM version :-). Let’s just say that if sharpness, clarity and low-light performance/ability to blur the background is most important to you, carry on reading ;-), 16-35mm is an extremely useful focal range for all types of photographer. The new lens features technology found in the highly-touted Sony G Master line in a compact and lightweight design at less than $1000. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. Sony; Lensbaby; more Category. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. It is an excellent choice for dynamic landscape and architecture photography. Linear motor for agile, highly precise focus lens control, Direct Drive SSM for quiet, highly precise focus lens control, Sony Nano AR Coating to eliminate flare and ghosting, Lens front cap: Dedicated, Lens rear cap: ALC-R1EM, Case, Looking for help? An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. The best of what Sony has to offer on iOS or Android. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the 55mm f/1.8. Make Offer - Sony wide angle lens adapters VCL-ECF1 & VCL-ECU1 16mm 20mm. Please contactCustomer Support, CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Free shipping on many items ... 4 product ratings - [Excellent condition] Sony A-mount 28mm F2.8 wide-angle lens. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. The exact focal length and aperture are still unknown at the time of writing. Free delivery and returns on eligible orders. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. What’s the difference between Sony E Mount and A Mount? Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! All Mobile, Tablets & Smart Devices products. A newer version of your browser may be available, Ultra-Wide for Dynamic Spatial Expression. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. more Focus motor. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. Free shipping. A wide angle zoom lens with the best image quality and can justify the price tag. Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. The products in this post may contain affiliate links. Highly recommended! Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). Get the best deals on Sony A-mount Wide Angle Camera Lenses when you shop the largest online selection at eBay.com. One downside with f/1.4 lenses across the board is their size/weight. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Build quality is top-notch, as you’d expect from a Zeiss lens. In addition to the upcoming Sony a7S III mirrorless camera, Sony is rumored to announce a new high quality GM wide angle lens in 2020. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. Focusing ring / 5. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. Features and specifications are subject to change without notice. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. No. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. $10.90 shipping. (If there was an f/1.8 35mm, I would’ve got that too!). Best Wide Angle Zoom: 16-35mm. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. Follow the link below for lens/body compatibility details. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. Bokeh produced by the 35mm f/1.4 is simply amazing. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. The above lens is the Sony FE 70-200mm f/4 G OSS. classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. 16mm on a full frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and not placed at the edge of the frame!). The Sony 20mm f/1.8 G has two advanced aspherical elements and three extra-low-dispersion elements and a 7.5-inch close-focusing distance (making it an excellent option for close-up, wide-angle photography). [1] Contrast (%) [2] Distance from optical center of lens (mm) [3] At 12 mm [4] At 24 mm [5] Spatial frequency [6] 10 line pairs / mm [7] 30 line pairs / mm [8] Max. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. By Steve Huff. Let’s start with the bad news – this is one expensive lens. I wouldn’t want to drop it (obviously! It also exhibits very little distortion. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens … Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. In fact, each of these lenses offer different selling points such as high-quality detail, … Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. As the only native lens in the lineup, the Sony FE 24mm f/1.4 GM sets an extremely high bar. A wide-angle lens is a go-to choice for many landscape photographers. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. 4.1 out of 5 stars 52. A wide-angle lens for Sony that left me a very good impression was the Sigma 16mm f/1.4 DC DN C (24mm in 35mm terms). 154 g. Still on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/1.8 deserves pride of place in this list. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. 99. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). How to make your Sony ZV-1 GO WIDE ANGLE with Active Stabilization. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. Sony A7 doesn't have a sensor based image stabilization system and none of these lenses have optical Image Stabilization. [1] Aspherical [2] Super ED glass [3] ED glass, MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! The size and weight balances nicely on the Sony a6XXX series bodies. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.38 m Filter Diameter: 82 mm Size: 87.6 mm (diameter) x 136 mm (length) Weight: Approx. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. Do all Sony Alpha lenses fit on all Sony cameras? Let’s get the elephant in the room out of the way first – the 35mm f/1.4 is an expensive lens. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). So, without further ado, here are the best Sony lenses. Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? Our site is not optimized for your current browser. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. As you can see, our list of 6 wide angle Sony E-mount lenses gives you a variety of choices for your next gear purchase. Under $25! I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! That’s right, the 55mm f/1.8 is getting long in the tooth…. Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. FREE Shipping by Amazon. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 72 mm Size: 78.5 mm (diameter) x 112 mm (length) Weight: Approx. Wide Angle Sony e-Mount Lens Comparisons. It’s by no means an exhaustive list since every photographer’s needs are different. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. If you shoot with a Sony mirrorless camera that has an E mount, you have plenty of quality wide-angle lenses to choose from.On this page, we’ll take a look at eight of the best options. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. I could go on and on about this lens, but to cut a long story short, the 35mm f/1.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. Focus mode switch. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. Sony E Mount Lens 6.5mm f/2.0 Wide Angle Circular Fisheye for Sony Alpha Mirrorless Camera A6600 A6500 A6400 A6300 A6100 A6000 A5100 A5000 NEX by Altura Photo with Protective Hard Case. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. Sony Alpha DT; Sony Alpha (Full-frame) more Price < $1,000 < $700 < $600 < $500 < $400 < $300 < $200 < $100; more Aperture < f/4 < f/2.8 < f/2 < f/1.8; more Wide angle < 14 mm < 10 mm ; more Telephoto > 100 mm > 200 mm > 300 mm ; more Image stabilization. Focus hold button (customizable) / 3. The Sony a7 and Sony a9 series are full frame mirrorless cameras, so must use the FE range of lenses which have been designed to cover the entire 35mm sensor. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. 12 watching. All other trademarks are trademarks of their respective owners. There are a few wide-angle options for APS-C owners. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Sony E Mount lenses are designed for Sony mirrorless camera bodies. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. With the compression at 85mm, I find that the bokeh at f/1.4 is almost too much. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. If approved, a temporary shopping pass that could be up to $1500 in available credit may be issued and sent to your smartphone, allowing you to shop online right away. $99.99 $ 99. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. However, for half the price, I’d recommend you check out the f/4 variants too. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. And it weighs a mere 20 ounces (565 grams). With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Many photographers come to Sony from Nikon or Canon, so their first question is whether they can still use their existing non-native lenses on their new Sony body. Learn more about Sony and the environment. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. So what are you getting for your money? The best standard wide angle lens available for crop sensor Sony E mount cameras. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.28 m Filter Diameter: 82 mm Size: 88.5 mm (diameter) x 121.6 mm (length) Weight: Approx. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. See where I’m going here? Lens hood / 4. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. Since Sony A7 has environmental sealings (Weather Sealing), you may like to couple your camera with one of these 12 Wideangle Prime lenses with Weather Sealings. If you own a full frame Sony body (lucky you! F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. Highly recommended! Get it as soon as Tue, Dec 1. Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. Make Offer - Sony 28mm F/2.0 Full-frame Wide-Angle Lens for Sony E-Mount Cameras - SEL28F20. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. 99. the ‘holy trinity’, are unbeatable in quality. It is an excellent choice for dynamic landscape and architecture photography. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. I actually prefer this construction over an all-metal lens, since they’re just so much lighter. Sony a7RII +  24-70mm f/2.8 | © C-Gee Photography. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. There’s clearly a lot of choice for Sony shooters in 2020. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. This is a great value medium range prime lens for your FE or E mount Sony. It looks like JavaScript is disabled in your browser. It could be the only lens you ever need. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. The barrel is made from sturdy plastic, and the mount and filter thread are metal. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Simple – because it’s the best. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. Currently my favorite wide angle lens on my sony a7 is an old prime Minolta Rokkor 17mm f4 which I use extensively in cave photography. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. In actual fact, it turned out to be much more than that…. To get the full experience on Sony.com, please change your settings to allow JavaScript. $150.00. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. Highly recommended! Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. Wide Angle Camera Lens for Sony. This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. Such a great little camera and usable tool in so many ways. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. FREE Shipping by Amazon. ), but am pretty confident it’d survive the fall if I did. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Rokinon’s wide angle lens is the best you could get at an affordable price. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. Buy 40.5mm Wide Angle Lens for Sony Alpha A5000, A5100, A6000, A6300, A6500, NEX-5TL, NEX-6 Digital Camera That has Sony 16-50mm f/3.5-5.6 OSS Alpha E-mount Retractable Zoom Lens at Amazon UK. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. Incidentally also the rest of my wide-angle collection is also Rokkors, i.e. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). Well, this Sony 85mm f/1.8 was the third lens I settled on. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Wide angle lens; more Lens mounts. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. So what will come next? We summarize our experience with all the native E-mount and a few (manual) legacy lenses in the 9-20mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. The fast 35mm prime lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when light levels are low, and partly due to its gorgeous bokeh. So I have been using this Sony ZV-1 and loving it since it arrived. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. I still feel the Sony ZV-1 is wide enough, but now Ulanzi WL1 Wide Angle Lens for the Sony ZV-1 has changed the camera completely. 20mm, 21mm , 24mm, etc. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. a field of view significantly wider than that of the human eye Both are outstanding lenses. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. You can see the latest price of this Sony mid-range zoom lens here. Lens; Low light lens; Portrait lens; Wide angle lens; Landscape lens; Telephoto lens; Macro lens; Sports lens; more Lens mounts. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. While they are ranked in order, all of them are good quality lenses and they are only mentioned here because they cut as one of the best. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. 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